Hello all,
Lineweights would like to invite you to a sketch crawl @ the SF Zoo on June 14th. This event is open to all, so please spread the word and bring friends (help us guerilla market this, print and pass out the flyers:) ! We need you to RSVP as soon as possible to reserve discount tickets for entry into the Zoo. Email us at lineweights@gmail.com to RSVP. We plan on sketching from 12-5pm, and just like the premise of Lineweights…this event is very simple, for everyone to grow/learn/sketch together. To follow, we will meet at the Riptide (right around the corner) for cocktail hour. We hope to see you then!
Well, I was asked to draw a “sexy” chick, and I finally had some time to search for the right pose and draw her today. Here is the process I used to draw this “life” drawing. In this case the pose was from a picture I found on the internet of a nude model. I changed her pose slightly. My objective was to make her have both a sensual pose and look on her face, instead of that of a cold blooded killer. The medium used for this drawing will be pencil. I started the drawing off on regular photocopy/bond paper.
1. First and foremost is to get the correct pose of the person down. At this point, you also have to make sure the drawing will fit on the page. I start by drawing loose and gestural bone structures to get the overall gesture. In order to proportion the body correctly, I use the size of the head as a reference and split up the paper. This allows me to easily make sure the proportions are correct. Remember to draw light, and don’t bother using an eraser.
2. The most important step at this point is to check to make sure the posture, proportions, and locations for all of the body parts are correct. If they are too far off, you can always start over since you have not invested a lot of time at this stage of the drawing. Start off with light and gestural contour lines to draw in the body. Recheck the proportions, and then pick the correct line and darken it, following the nuances of the model. Once the outline of the body is drawn in and looks correct, the facial features can be drawn in.
3. I will usually photocopy the drawing and work out designs for clothing, armor, accessories, etc.
4. Once I have everything correctly proportioned, and the details of the clothing are decided on, I will use the drawing as an underlay and trace over it with Bienfang Graphics 360 marker paper. As I trace I change the pencil pressure to create light to dark lines keeping in mind my light source. This gives the drawing more life and a sense of light. The details are all refined and the drawing is done and ready for photoshop, or shading. Unfortunately I was at the limit of my scanner and so the detail of the sword’s saya (scabbard) did not come through. If needed, you can use a kneaded eraser to lighten up dark lines, etc.
Here is post #2 of the NYC Series I am posting. In this edition, I looked through tons of photos that I took walking the streets of Manhattan. There is Street Art/ Graffiti/ Murals, all over NYC. Its pretty easy to see how the Art Scene in NYC flurishes, so much of it is out in the open and for all to see. There seemed to be a trend amongst alot of the graffiti I came across in NYC, more thoughtfulness and playfulness. The monkey sketch on the Left is painted on a Childrens Learning Center (grantted its on one of those metal roll up doors…the childrens learning center was in the Projects). There is alot more inspiration to come for the NYC Series so check on back! Enjoy!
This is post 2 of the Rock Star series of portrait paintings. Steven Tyler was painted for my very close cousin Catrina, who has the painting hanging in her home. As well, I was fortunate enough to get the opportunity to hang the first print of this painting in Steven Tyler’s dressing room back in 2002 @ Shoreline Amphitheater. Prior to him going on stage he called my house and I spoke with him for several minutes! Really him! He called to thank me for the gift ( I gave him the print that hung in the dressing room), so he now owns print 1. I thought it was a friend playing a joke, but no, he said….”this is f***ing Steven Tyler man!” I then spoke with his band manager several time after that, regarding Tyler buying the original from me. We planned to meet up when they were in town, I kept in contact with them for a few years, but have since lost contact. Hopefully he still has the print…I like to think its hanging in his house somewhere. If your watching our Lineweights page Steven Tyler…hit me up! Enjoy.
Hey Fellas,
Here is another portrait, this time from a pic. I found it hard to capture the likeness of the pic, any pointers? Other than that I also couldn’t get her to look at the camera/viewer, any tips would be appreciated. I was going to use this as an underlay as I started with a verithin on trace paper, but I ended up just working it up with prisma. I may try to simplify it again on bond paper. Let me know your thoughts and critics guys, as always please be honest! its the only way we will all get better!
Here is the first sketch in a series of sketches that I am working on, based on photographs I took in New York City. We only had 4 days in NYC Manhattan, so sketching time was limited. But I did take a ton of photos, capturing little scenes I wanted to sketch out. This one is the beginning of the NYC Library…scenes all over town like this made me realize why NYC was such a huge inspiration to Comic Book artist since the very beginning. This one is for you Gotham.
I found this drawing I did as a commission for someone a few years back. Back then I was really into vectoring my inks making them really nice and crisp, but it also took a lot of time. First one is the sketch done in col-erase pencil and defined with HB graphite. Below is the drawing vectorized in Illustrator.