Posts Tagged ‘ prismacolor ’

Found some old prismacolor pencils…

I was at a garage sale last weekend and noticed this really cool box.  Walked up to check it out and I quickly realized that it was something really cool!  The “prismacolor” writing and funky color boxes on the side attracted my eye.   When I opened the box, I found 6 packs (of a dozen each) of Prismacolor pencils called a “half gross”.  Each box is marked “EAGLE: Thick Lead Color Pencils”…. I opened one of the boxes and found mostly brand NEW prismas!  The wood seemed really hard, and more like real wood.  The Typography on the side, was totally different, much more of the period they are from…im guessing the late 60’s early 70’s ( judging the colors, type and wear of the packaging).

You can cut the back of this packaging off, mail it along with .25 cents to order really early prismacolor markers!

I sharpened a few of them and noticed that the wood was much stronger, the lead alot stronger and really took a good point!

Decided it was time to sketch something out…a few of my favorites from Finding Nemo!  Go Sharks!

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Cousin’s Sketch Series- Part 2

In the series I am working on for all my younger cousins, this sketch (scanned in progress, not shown finished here) was done for my little cousin Sofie.  She loves rivers, streams, waterfalls and cool hidden natural places.  This composite sketch was done using The Art of Pocahontas as inspiration, its a large sketch…11×17, so I scanned it in 2 parts.  I have 6 more sketches to go in the “Cousin’s series”, each one gets a sketch for their birthday this year 🙂

Sofies sketch

SF Zoo Sketch Crawl- Review

We wanted to share with everyone the wonderful work that everyone that came out on June 14 @ the SF Zoo.   Sketching animals that are moving around, at a pretty good distance can be quite a challenge…but so many people did such fantastic work! Also, check out the photos that our 2 wonderful photographers shot all throughout the day!  Thanks again all, and please share it with every person on this big happy planet you know!

Oh, before I forget….would anyone be interested in getting this work in a MINI BOOK form?

Who didnt get a copy of our first SKETCH BOOK?  Hit us up, we will hook you up with one!  They turned out awesome Jon!

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Lineweights-ZOO-Poster_2WEB

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david carradine tribute: a portrait sketch demo

Rest in peace David Carradine.  Like Jon mentioned in his tribute sketch, we lost a huge inspiration to many and a hero to all.   I decided to work this sketch in a demo format, sketching and scanning at each stage to show the progress.   I used just simple trace with black verithin-prisma.  You will be missed…

Step 1: This initial sketch is done with basic straight lines.

(A). You start by breaking the page down with lines that extend off the page.   These lines are the dominate composition lines, that help to dictate the main shapes and force of the sketch.

(B).  Next you use Medium length lines  (built off of the extended lines from A.) to help rough some of the bigger shapes, head, hands body are usually roughly formed.

(C).  Using smaller lines, you help complete some of the rough shapes and help to begin the detail elements of the sketch.

Basic line break down

Step 2:  Using the sketch from Step 1 as an underlay, here we begin a new sketch by blocking out the basic shapes.  Circles, triangles, cross section lines and roughly blocked out lines.

Primary shape sketch w/ beginning detailsStep 3:  Using the sketch from Step 2 as an underlay, we start a new sketch using the underlay as the “framework” to hang the more gestural/ expressive line work.  Here we are looking to shape most of the final details, begin to build hierarchy and contrast in the line quality and look for value shifts.  As the building of line work continues, its important to sketch “inside” the lines…using the cross section lines as reference, you can shape areas like the cheek, nose, mouth, eyes, etc.

Shaped Linework and initial shadingStep 4:  Here we have taken the sketch from Step 3, a little further with shading, cross hatching, feathering, etc.  Using different techniques to help build in value, keeps the sketch alive and dynamic.  Working with those different uses of the pencil, you can sepreate skin from cloth, etc.   Finishing the light details on the face and hands, help to finialize the sketch.  The last few details, I like to rough in a background, to help the portrait step off the page.  Hope you can get something from this technique I was taught in a Figure Drawing/Painting class.  Enjoy!

Final Sketch

Maker Faire- San Mateo, Ca

Sketched these out while working over at the Maker Faire last weekend.  Love the Maker Faire, its like a steam/cyberpunk party mixed with a circus!  This was the 4th year I have gone/worked at the Maker Faire, and it was a lot of fun this year!

Maker Faire

quick spaceship

I just got the Daniel Simon book and decided that I needed to  threw this down in prisma, sharpie and chartpak on cheap trace.     Lineweight? Lineweight!  Thanks Daniel for great inspiration!

Spaceshitz_1

szerencse and friends

this is a really initial sketch (orthographic style) of a character that will be part of a comic strip/kids book/ etc that Zsuzsa and I have been working on.  His name is szerencse (tough to pronounce) but it means “Lucky” in Hungarian. Pretty cute name for a dog, reminds me of an old folk tale or something.   More to come for this series, so check on back!

szerence

WHAMMY! Detective Comics

I recently have been flipping through a stash of old school comic books and came across some really inspirational artwork.  Silver-age comics are so dope, all “pre-steriods” comic book heros/villians, pretty simple yet effective art work and really story driven. Oh, first Blue bic ballpoint, then indigo blue verithn, then depth with indigo blue prisma.    Enjoy!

old-school-detective-comics

Liger

Sketched this guy on this crazy old school HP transparencey/ film type paper, that Jon and I picked up from the archives of SJSU ID.  Sweet stuff!  I used prismacolor pencils and Ad Markers on the back of it, to control the pencil/linework on one side, and marker/color on the other.

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